How does a comedian known for prank-style documentaries end up embedded in the life of Elizabeth Holmes days before her prison sentence? Critics Alissa Wilkinson and Jason Zinoman explain why Nathan Fielder's feature debut, You Can See Everything, is a breakthrough for documentary. They trace Fielder's path from Nathan For You to The Rehearsal, examine his blurring of manipulation and authenticity, and assess whether the film reveals more about Holmes or about Fielder himself. Nathan Fielder's documentaries use deliberate manipulation and visible filmmaking seams to earn back audience trust that cynicism about documentaries has eroded.