Good-bad movies are beloved films with obvious flaws—plot holes, corny dialogue, bad acting—that audiences rewatch obsessively anyway. The New York Times' Maya Salam explores what makes these movies so captivating, alongside critics debating Grease 2, Hackers, and Face Off. Good-bad movies combine irredeemable flaws with redeeming qualities so entertaining that audiences return to them repeatedly despite recognizing their weaknesses.